Tag Archives: control

Abdominal control, Uḍḍiyāna

In the yoga tradition, there are several muscle positionings (Bandha).

The first control is « Mūla », the pelvic floor, the base.

The second control is « Uḍḍiyāna », the abdominal floor .

  1. At the end of the exhale, (when your lungs are completely empty)
  2. Stretch the space between the iliac crests and the ribs
  3. Stretch the transversals, the obliques (inner and outer) and the lower abdominals

Not to be confused with the position « Uḍḍiyāna bandha» that is not a breath, but a stop to the breath.

The best position to learn and deepen uḍḍiyāna & mūla bandha

This ” abdominal control ” can be experienced very easily in the posture « Adho Mukha Svānnāsana » (the dog position with the head down) in sūryanamaskara. This position is held during five deep breaths.

Together « Mūla Bandha & Uḍḍiyāna » represent a safety system that protects the body thanks to its actions on the lower body fascias (reciprocal tension of right and left fascias).

This set participates to controlling the energy in the body (Prāṇa)

 

Pelvic floor muscle positioning during the practice (Mūla Bandha)

In the Yoga tradition, there are several muscle positionings (Bandha).

The first control is « Mūla », the pelvic floor, the base/foundation.

  1. At the end of the exhale (when your lungs are completely empty)
  2. Lift the anal sphincter, (it is not necessary to contract it)
  3. This positioning will bring the hold/control of the lower abdomen

Whichever the posture, the Mūla bandha produces the necessary energy for a firm postural basis.

Mūla Bandha is held during the entire duration of the postural session.

In itself, It is not really difficult to master the Mūla bandha it is just a matter of attention, concentration and time.

Sri K. Pattabhi Jois considered that 5 years are needed to master it completely.

The second control is « Uḍḍiyāna », the abdominal ball. (See page)

Together « Mūla Bandha & Uḍḍiyāna » represent a safety system that protects the body thanks to its actions on the lower body fascia (reciprocal tension of right and left fascia).

This set participates to controlling the energy in the body (Prāṇa)

It is not sufficient to tighten the anus and to lift this sensation towards the centre of the abdomen, as some wrongly think, for the Mūla Bandha to be present. No, that would be too simple…

The three points in the Ashtanga Yoga practice

The key point of the « garland of postures » (Yoga Mālā), taught by Sri K. Pattabhi Jois is called « Vinyasa ». It is described in the fourth śloka of the Yoga Korunta :

In Sankrit devanagrari :

« ट्री स्तनम् अवलोकय्é आसनम् प्राņआयाम द्रिस्थिहि »

In occidental characters :

« Trī stanam avalokayé āsanam prāņāyāma dristhihi »

That we can translate as:

The vinyāsa, the connecting movements between the postures, is composed of 3 fundamentals (Tristana) which are:

  1. The breathing (Ujjãyi Prãnãyãma – the victorious breath)
  2. The control of the pelvic floor and the abdominal ball (Mūla bandha),
  3. The focused gaze (drishti) in the postures (āsana).

Each of these spaces (positioning -Bandha) is one of components of the breathing technique called « ujjāyī prāņāmāya ».

The 3 points ashtanga yoga EN

When the three components (Tristana) are in harmony, synchronised with the movement, the sequence of Yoga postures and its rhythm, the yogi has reached the tristana. Once the tristana is reached, the yogi (le sādhaka) enters into the seventh part of the Aṣṭāṅgayoga, the meditation (dhyāna).

The ujjāyī breathing is the basis of the « Vinyasa ». The correct body positioning in the ãsana(s), comes from the Bandha(s). Drishti completes this trinity.