Tag Archives: Indra

GREECE & INDIA

« Greece is the embodiment of beauty and ligth »
Pascal Bruckner

Greece and India have a long common history. For about two centuries, Indo-Greek kingdoms were known, they were essentially territories conquered by Alexander the Great.

Ancient Greece and India have many affinities. Indeed, between the Goddess Athena and the Sakti, the great Indian Goddess who represents the feminine creative energy, with many forms (Devī, Umā, Pārvatī, Durgā, Lakṣmī, Kālī, Sarasvatī …), there are many common characterstics, many related myths, between themselves and in their “indirect” descendants : Erichthonios, for Greece, Gaṇesha or Skanda / Murugan / Kārttikeya for India.

Athéna

Pārvatī

According to Homer, Erichthonios is the son of Hephaestus and Gaia (the Earth): Hephaestus tries to violate Athena, sperm spreads on the thigh of the Goddess who wipes it off with a woolen cloth that she throws onto the ground. The Earth, thus fertilized, gives birth to Erichthonios, (ἔριον / erion, wool, and χθών / khthốn, the earth).

Érichthonios

Patañjali

According to the Śivapurāṇa, Pārvatī conceived Gaṇesha, mixing clay (earth) with secretions of her skin.

According to the Skandapurāna, Śiva would have let out his semen, which was then harvested by Agni, the God of fire. It was so hot that the fire itself could not contain it, so he poured it into the Gangā (the celestial river). As a result, Agni and Gangā are sometimes considered as Skanda / Kārttikeya’s parents. Gangā being not very maternal, Kārttikeya is said to have had many nannies, sometimes the seven Mātrikā *, sometimes the seven Krittikā, personifications of the constellation of the Pleiade, to which he owes his name Kārttikeya. Because of the large number of his nurses he is sometimes represented with six heads to suckle each of them. In addition, Karttikeya * is systematically born extra-uterine, either on the breast of Gangā or on the peak of six or seven different mountains (Skanda means “jet of sperm”, Sanskrit, skand, “to transmit”).

* Kārttikeya : According to Greek mythology, “the Pleiades” “the seven Krittikā” are seven sisters, daughters of the Titan Atlas and Pléioné (an oceanic nymph aquatic but not marine).

1. Maia

2. Alcyone

3. Asterope

4. Celaeno (or Selena)

5. Electra,

6. Taygete

7. Merope 

* Sapta mātrikā (s), the seven divine mothers, were gradually considered as the paredres (female counterparts) and Sakti (s) (Power of Creation), female personifications of different Devā (s) (Gods).

1. Brahmani is the śakti of Brahmā

2. Vaishnavi is the śakti of Viṣṇu

3. Mahesvari is the śakti of Śiva

4. Indrani is the śakti of Indra.

5. Kaumari is the śakti Skanda

6. Varahi is the śakti of Varaha

7. Chamunda (or Narasimhi) is the Sakti of Śiva

They are also, for some authors, forms derived from the goddess Chandī or Chandikā, kind and protective form of Durgā. They are the personifications of the seven stars constituting the pleiads.

 

To see in Mahābalipuram

Mahābalipuram, nowadays Mamallapuram, « the city of Mahā Bali », is a small city in Tamil Nadu situated 60 km south of Chennai (Madras) on the Coromandel coast. This charming little town is worldwide known for its « Shore Temple » by the ocean, near a large sand beach, and for he fascinating remains dating from the period of the Pallavas, between the 5th and 7th centuries.

This is where Jean-Claude has been teaching Ashtanga Yoga for twenty years, twice a year. Mahābalipuram hosts every year, from the end of December till the end of January an important « Indian Classical Dance Festival ». It is an important archaeological site designated by the Unesco as a world Heritage site since 1985. Non-Indian tourists pay only one entrance fee, equivalent to 5 dollars, for visiting all the monuments.

  • The Descent of the Ganges or Arjuna’s Penance, magnificent low relief 27 m long by 9 m high, sculpted on a huge granite rock, illustrating the legend of the Descent of the celestial Ganges on Earth, by the hair of the god Shiva. You will see Arjuna, in a Yoga posture, surrendering himself to a very harsh penance lasting for a thousand years. Are also present: Gods, Goddesses, aquatic animals as nāga and nāginī…

 

The mandapa(s), on top of a hill count, eight small « mandapam » sanctuaries, sheltering beautiful statues, two of which are unfinished.

  • Krishna’s mandapa is one of the most beautiful. You see Lord Krishna lifting with one hand the Mount Govardhana to protect the villagers and the cows from the thunderstorm, triggered by the anger of the God Indra.
  • Le mandapa de Shiva  Īśvara  « le Seigneur suprême »
  • The five Rathas (Pancha Ratha) are large wooden procession chariots. In Mahabalipuram, this name is used to designate monolithic temples carved in the shape of buildings, inside the rock.
  1. Ratha of Draupadi, dedicated to Durgâ
  2. Arjuna’s Ratha
  3. Nakula’s Ratha
  4. Bhima’s Ratha
  5. Yudishtara’s Ratha
  • Krishna’s Butter Ball, a large round shaped granite rock that seems to be in unstable balance. According to a legend Krishnâ, as a child, stole a butterball.
  • The Tiger Cave situated a few kilometres (4km) north of Mahābalipuram, on the road to Madras, beside the sea, carved inside a large rock. The site is called Saluvankuppam. Coconut trees shadow the site; it is preferable to visit at sunrise or at sunset to enjoy a magical light. The cave was originally dedicated to the Goddess Durgâ. It is a monument dating from the period of the Pallavas.
  • The Temple of Īshvara is fully carved in the rock.
  • A small museum, with a friendly staff, shelters statues, paintings and the result of archaeological excavations; open daily.